“A man who is not a father to his children can never be a real man.”
One of the many quotes attributed to the man to whom the title’s moniker refers, Mario Puzo’s ‘The Godfather’ depicts his protagonist as in possession of a fierce familial loyalty – often in conjunction with elements of ruthless cunning and ugly violence that too make up his character. For those familiar with the story, be it through the novel or the biopic released three years later, each element is as integral to the tale as the other. Though the concurrent existence of such antithetical sentiments in one man may seem contradictory – who could possibly approve of robbing another family of a loved one when they value their own so dearly? – through Puzo, the Don’s motives have always been clear: protecting and providing for his family in the perceived absence of America doing the same.
Is it this concept that secured the franchise’s place in both popular culture and cinematic history?